Ibsen versus strindberg

If one's love is strong enough, it can drive one to accomplish feats that are literally impossible otherwise. In general, anything with "-punk" in its name has a strong tendency towards Romanticism, due to the genre's cynicism about human advancement, preference for older and more visible machines, and strongly antiauthoritarian tendencies.

Ibsen versus strindberg

Balle, a dinner guest Mr. The gathering is attended by his son, Gregers Werle, who has just returned to his father's home following a self-imposed exile. There, he learns the fate of a former classmate, Hjalmar Ekdal. Hjalmar married Gina, a young servant in the Werle household.

The older Werle had arranged the match by providing Hjalmar with a home and profession as a photographer. The remaining four acts take place in Hjalmar Ekdal's apartments. The Ekdals initially appear to be living a life of cozy domesticity. Hjalmar's Ibsen versus strindberg makes a living doing odd copying jobs for Werle.

Hjalmar runs Ibsen versus strindberg portrait studio out of the apartment. Gina helps him run the business in addition to keeping house. They both dote on their daughter Hedvig.

Gregers travels directly to their home from the party.

Ibsen versus strindberg

While getting acquainted with the family, Hjalmar confesses that Hedvig is both his greatest joy and greatest sorrow, because she is slowly losing her eyesight. The family eagerly reveals a loft in the apartment where they keep various animals like rabbits and pigeons.

Most prized is the wild duck they rescued. The duck was wounded by none other than Werle, whose eyesight is also failing. His shot winged the duck, which dived to the bottom of the lake to drown itself by clinging to the seaweed. Werle's dog retrieved it though, and despite its wounds from the shot and the dog's teeth, the Ekdals had nursed the duck back to good health.

Gregers decides to rent the spare room in the apartment.

Ibsen and Strindberg - necessary opposites | Stage | The Guardian

The next day, he begins to realize that there are more lies hanging over the Ekdals than Gina's affair with his father. While talking to Hedvig, she explains that Hjalmar keeps her from school because of her eyesight, but he has no time to tutor her, leaving the girl to escape into imaginary worlds through pictures she sees in books.

During their conversation, Gregers hears shots in the attic, and the family explains that Old Ekdal entertains himself by hunting rabbits and birds in the loft, and Hjalmar often joins in the hunts. The activity helps Old Ekdal cling to his former life as a great hunter.

Hjalmar also speaks of his 'great invention', which he never specifies. It is related to photography, and he is certain that it will enable him to pay off his debts to Werle and finally make himself and his family completely independent.

In order to work on his invention, he often needs to lie down on the couch and think about it. Gregers insists that he cannot return and that he will tell Hjalmar the truth. After he leaves, Gregers asks Hjalmar to accompany him on a walk, where he reveals the truth about Gina's affair with his father.

Ibsen versus strindberg

Upon returning home, Hjalmar is aloof from his wife and daughter. He demands to handle all future photography business by himself with no help from Gina. He also demands to manage the family's finances, which Gina has traditionally done.

Gina begs him to reconsider, suggesting that with all his time consumed he will not be able to work on his invention. Hedvig adds that he also will not have time to spend in the loft with the wild duck.

Embittered by Gregers' news, Hjalmar bristles at the suggestion and confesses that he would like to wring the duck's neck.

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She confesses to it, but insists that she loves Hjalmar intensely. In the midst of the argument, Gregers returns, stunned to find that the couple are not overjoyed to be living without such a lie hanging over their heads.

Upon his death, the allowance will be transferred to Hedvig for the remainder of her life. He cannot stand the sight of Hedvig any longer and leaves the house to drink with Molvik and Relling. Gregers tries to calm the distraught Hedvig by suggesting that she sacrifice the wild duck for her father's happiness.

Hedvig is desperate to win her father's love back and agrees to have her grandfather shoot the duck in the morning.The 10 Best Movies of Including Call Me by Your Name, BPM, and Valerian.

Ibsen was sane, progressive and formal. Strindberg was neurotic, reactionary and fragmented. The two were arch enemies - but together they laid the foundations for modern drama, says Michael. H Stephen Hagan. Born Greenisland, Co Antrim 25 th January Understated stage and screen actor and LAMDA graduate, who as a child made several appearances on the Belfast stage, during a five year period in the nineties.

The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre first codified by French dramatist Eugène caninariojana.comists Victorien Sardou, Alexandre Dumas, fils, and Emile Augier wrote within the genre, each putting a distinct spin on the style.

The well-made play was a popular form of entertainment. Nov 04,  · Thomas A DiMaggio letter disputes Craig Lucas's comparison, in October 7 letter, of Swedish playwright August Strindberg with Norwegian contemporary Henrik Ibsen.

August Strindberg and Henrik Ibsen were both great playwrights of the 19th century, and both played a large role in the evolution of modern day naturalism/ realism. The plays I will be discussing are Ibsen's Hedda Gabler, () and Strindberg's Miss Julie ().

Ibsen and Strindberg - necessary opposites | Stage | The Guardian